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Skorpma XX - XXVI

by Guðmundur Steinn Gunnarsson

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Skorpma er ekki horpma
skeit skori við lorpmu
brotin tannhjól
blika á báru
sjáðu nökk
í narva spori
láttu hjálið vita
að það haldi vori
grót og gaddur.
Einhvers þula
láttu vita
litla skula.



The Skorpma series is a by-product of the pieces Landvættirnar fjórar. It is a denser, more electric and more chaotic play of the elements. They interact and influence each other while remaing in autonomy. The boundaries are never fully blurred, yet they become to resemble one another. Light goes on in the end of the tunnel despite revulsionary repulsion. Leave your shit alone and come behind.


Ever since Laberico Narabida (2019) all my pieces are dealing with the elements. Sinfónía, Stífluhringurinn, Landvættirnar, Skorpma etc. all reflect this in some way. It is a play, a theater with four curtains, slowly revealing, interacting. Sometimes there is very little interacting, sometimes there is a lot. Sometimes it is obivious, sometimes it is not. Sometimes the elements sound all at the same time, sometimes one after the other. Each element may be contained in all the other elements, however, it remains distinct.

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released February 4, 2022

Photo by Katelin Marit Parsons

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Guðmundur Steinn Gunnarsson Reykjavík, Iceland

In his search for a music with neither grids nor straight lines, Icelandic composer Guðmundur Steinn Gunnarsson incorporates digital dynamic screen scores or animated notation to express his inability to adapt to the convenient society. His interest in Icelandic folksong has fueled his belief in life without barlines or equal distances and no-grid approach to music. ... more

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